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REVISTA IEEE 9
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Manuel García Ruiz The cartoon, the new weapon of the First World
militarism and the privileges enjoyed by the higher German officials, offered their
unconditional support to the war effort once hostilities began. Heine, as a result of
the disagreement expressed by some of his colleagues at the magazine, argued that
“the motherland needed a magazine of international prestige to support the war effort”24.
The infrequent use of the cartoon or caricature as propaganda would remain a
constant for Germany over the course of the 20th Century, as this situation repeated
itself during World War II, a circumstance that is more than anecdotal given the
abundant use of propaganda in the Third Reich25. Despite this, Germany published
several posters to garner support for its submarine forces (here a film poster) or to
publicise the successful offensives of March and April 1918 (although these did not
achieve their objectives).
UTILISATION OF THE CARTOON BY THE ALLIES
Unlike what happened on the other side of the North Sea, during wartime in the
United Kingdom, the most widely circulated British paper The Daily Mirror published
a series of daily cartoon strips of a political and propaganda nature illustrated by
William Kerridge Haselden. Some of them strike a patriotic chord, such as in the issue
of 30 August 1914 where a wife appears not long after the declaration of war against
Germany and urges her husband to enlist in the army: “If I were a man, I’d be ashamed
to stay at home”. “I suppose you think that it’s enough to sit and read about the war”. “If I
were married to another man, he would have enlisted”. When she manages to get him to
enlist, she exclaims: “My brave husband! I knew you’d enlist.” It is worth pointing out
that in Great Britain, unlike the other European powers, obligatory military service
did not exist and that the Military Service Act26 was not enacted until 1916. . The
Military Service Act allowed for the conscription, with certain exceptions, of all men
aged between 18 and 41 years old, this subsequently being extended to those aged
between 17 and 51 years because “the demand for human war material was apparently
insatiable”27. In order to alleviate this need for soldiers there was a proliferation of
posters calling for people to enlist: “Daddy, what did you do in the Great War?” and
“The women of Britain say - “Go!” were two of the most popular. Despite popular
pressure, there were around 16,500 conscientious objectors (permitted by a clause in
the law itself ).
24 Simkin, John, First World War Encyclopedia, Spartacus Educational, 2012.
25 Hitler himself appreciated the need to control news and information at an unprecedented level
during the Third Reich, recognising the valuable role that propaganda had played in the allied victory
during the Great War.
26 This law remained in force until 1919 and it was not until World War II that obligatory military
service was reintroduced. It disappeared in 1963.
27 http://www.firstworldwar.com/atoz/ukconscription.htm.
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- En busca de una Estrategia de Seguridad Nacional
- Ángel Gómez de Ágreda
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- Javier Jordán Enamorado
- Central Asians fighting in Syria: the danger of Islamic State retournees to Central Asia
- Carlos García-Guiu López
- The Islamic state and Jabhat Al-Nusra; new actors in Lebanon?
- Antonio Alonso Marcos
- The cartoon, the new weapon of the first world war
- Javier Lion Bustillo
- Defining a model for analysis of civil-military relations patterns
- Manuel García Ruiz
- Proxy wars in cyberspace
- Salvador Sánchez Tapia
- Presentation of Issue nº 9 of the Spanish Institute for Strategic Studies (IEEE) Magazine
- Manuel R. Torres Soriano
- Miguel Ángel Ballesteros Martín
- Consejo de redacción
- Miguel Ángel Ballesteros Martín
- Presentación de la revista
- Manuel R. Torres Soriano
- Guerras por delegación en el ciberespacio
- Proxy wars in cyberspace
- Salvador SánchezTapia
- Definición de un procedimiento de análisis de modelos de relaciones cívico-militares
- Defining a model for analysis of civil-military relations patterns
- Manuel García Ruiz
- La viñeta, la nueva arma durante la I Guerra Mundial
- The cartoon, the new weapon of the First World War
- Javier Lion Bustillo
- El Estado Islámico y Jabhat al-Nusra, ¿nuevos actores en el Líbano?
- The Islamic State and Jabhat Al-Nusra; new actors in Lebanon?
- Antonio Alonso Marcos
- Centroasiáticos luchando en Siria: El peligro de los retornados del Estado Islámico para Asia Central
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- Javier Jordán Enamorado
- En busca de una Estrategia de Seguridad Nacional
- Ángel Gómez de Ágreda
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